Danza ( Miudinho ) (a type of dance, the word itself meaning "choosy", "niggling") as spelled on p. 45 of the orchestra score, and, twice in the piano version and once for the orchestral version. Scored for piano (1930–41) orchestrated in 1942 (Preludio dedicated to Tomas Terán Coral dedicated to José Vieira Brandão Ária dedicated to Sylvio Salema Dança dedicated to Antonieta Rudge Müller). José Vieira Brandão (piano), CBS Orchestra, Villa-Lobos (conductor) The orchestral forces for this work, in addition to the solo piano, are: piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 4 trombones, tuba, timpani, bass drum, tam-tam, xylophone, and strings.ĬBS radio premiered Bachianas Brasileras No.3 on February 19, 1947, New York This work is scored for flute, oboe, clarinet, tenor and baritone saxophones, bassoon, contrabassoon, 2 horns, trombone, timpani, ganzá, chocalho, pandeira, reco, matraca, caixa, triangle, cymbals, tam-tam, bass drum, celesta, piano, and strings. Toccata (O trenzinho do caipira): The Little Train of the Caipira " caipira" meaning a person from the country, or small town, a "hick" but without the negative connotation. Dansa (Lembrança do Sertão) (Memento of the Sertão). According to another, it was the other way around: three pieces for cello and piano and a solo piano piece, none of them connected with each other and none of them originally with any Bach associations, were brought together and scored for chamber orchestra. According to one opinion, the third movement was later transcribed for piano, and the others for cello and piano. 
Most of the movements in each suite have two titles: one "Bachian" (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.). They represent a fusion of Brazilian folk and popular music on the one hand and the style of Johann Sebastian Bach on the other, as an attempt to freely adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music. The Bachianas Brasileiras ( Portuguese pronunciation: ) (an approximate English translation might be Bach-inspired Brazilian pieces) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 19. JSTOR ( March 2010) ( Learn how and when to remove this template message).
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